It's a mistake to suggest Bajrangi Bhaijaan is targeted toward maximum emotional effect. It's built to handle it. Its components were skillfully constructed to make you laugh every other scene and cry every 10 minutes. This kind of emotional thrashing is typical of a Rajkumar Hirani picture, but Bajrangi Bhaijaan hits harder due to its bolder instruments. Who says making a movie requires a war or a killing?
This film illustrates that the former is all you need, as long as she's a small, cute girl. Bajrangi knows he needs to get Muni home after Rasika's racist father informs him he won't let a Pakistani live with him. When a riot breaks out, he tries to hand her over to the Pakistani embassy, but the plot fails. After the half of the movie the picture seemed to be on the verge of overusing its strongest card, with Malhotra giving a sorrowful face. But then Nawazuddin Siddiqui enters and conducts one of his legendary which he always uses in the second half of the movie.
Nawaz has been famous for its late entry shows and has done it in quite other movies too. He plays a Pakistani TV reporter who volunteers to assist Bajrangi in finding Muni’s parents while avoiding the authorities. After suffering much with the authorities finally Salman khan makes sure that the child is again rejoined with the family. The ending of the movie would bring tears into your eyes.
Do not miss a single minute of the movie because every minute has its own story and emotions.
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